JOHN MACLEAN

grupaok:

Tsuruko Yamazaki, Work, 2009

archives-dada:

Hannah Höch, New York, 1921-1922, 29,5x18,5 cm, collage.

(C) ADAGP

bartleby-company:

Kazimir Malevich on his deathbed, surrounded by his works (1935)

(via grupaok)

archives-dada:

Hannah Höch, For a Red Mouth, around 1967, photomontage
© VG Bild-Kunst, Bonn

les-sources-du-nil:

George Barker (1844-1894)

Prospect Point, Niagara Falls, Late 19th Century

les-sources-du-nil:

Robert Rauschenberg

“Japanese Sky I” , from the ‘Bleacher Series’ 

Unique large-format Polapan print, 1988

les-sources-du-nil:

Harry Clarke (1889-1931)

Untitled, Study for Illustration to Queenie Scott-Hopper’s “very Nearly” , 

Graphite sketch on laid paper, 1920

archives-dada:

Max Ernst, Arp fumant la pipe, 1920, carton, collage, 16,8 x 16 cm,
Berlin, Kupferstichkabinett (SMPK)

archives-dada:

Johannes Baader, Lettre-collage à Tristan Tzara [Postcard sent to Tristan Tzara], collage, Berlin, 16 janvier 1919, Bibliothèque Doucet, Paris (fond Tristan Tzara).

archives-dada:

Francis Picabia, The Child Carburetor (L’Enfant carburateur), 1919. Oil, enamel, metallic paint, gold leaf, graphite, and crayon on stained plywood, 49 3/4 × 39 7/8 inches (126.3 × 101.3 cm). Solomon R. Guggenheim Museum, New York. © 2013 Artists Rights Society (ARS), New York/ADAGP, Paris

les-sources-du-nil:

Robert Demachy (1859-1936)
Paysage d’hiver, 1906

archives-dada:

George Grosz, John Heartfield,Dada-merica, 1919, photographs, typography, hair, matches and other objects, 10,25x7,5 inches

archives-dada:

John Heartfield, Montage for Kurt Tucholsky, “Deutschland, Deutschland über alles“, Design for Page 101, Berlin, 1929

“Das? Das ist die Zeit: Sie sie schreit nach Satire”
“That? That’s the Times: They Scream for Satire”

archives-dada:

Marcel Duchamp, To Be Looked at (from the Other Side of the Glass) with One Eye, Close to, for Almost an Hour, Buenos Aires 1918. Oil, silver leaf, lead wire, and magnifying lens on glass (cracked), mounted between panes of glass in a standing metal frame, 20 1/8 x 16 1/4 x 1 1/2” (51 x 41.2 x 3.7 cm), on painted wood base, 1 7/8 x 17 7/8 x 4 1/2” (4.8 x 45.3 x 11.4 cm), Overall 22” (55.8 cm) high.

New York, MOMA.